{"id":1288,"date":"2016-04-19T01:50:07","date_gmt":"2016-04-19T01:50:07","guid":{"rendered":"http:\/\/www.naimahassert.com\/?p=1288"},"modified":"2020-08-04T21:25:01","modified_gmt":"2020-08-04T21:25:01","slug":"persepolis-raconter-lhorreur-tout-simplement","status":"publish","type":"post","link":"https:\/\/prochainelecture.com\/en\/persepolis-raconter-lhorreur-tout-simplement\/","title":{"rendered":"Persepolis: telling the horror, quite simply"},"content":{"rendered":"

I knew I had to read it soon. It's not even 10 years old, and it's already a classic. Hipsters are reading it, journalists are reading it (I even saw Judith Lussier in Les Brutes<\/a> leaf through it), the anarchists of Old Montreal read it, and those who don't read it respect it.\u00a0<\/strong><\/p>\n

But then, I'm not a fan of comics (yes, shame on me, I'll work on that), and the simplistic cover didn't appeal to me. Why is it that when they talk about serious subjects well, authors think they don't need marketing?<\/p>\n

Maybe because in this case, it's more like \"unpretentious\", like the whole book.<\/p>\n

\"103077895_o\"<\/a><\/p>\n

We witness the Iranian revolution of 1979 through the eyes of little Marjane. She sees the horrors emerge, her family members executed, the bombs, the fear and the inconsistencies of the new regime. So far, these are well documented horrors, nothing new.<\/p>\n

But what is fascinating is to see the little girl grow up with this environment as a backdrop. All the \"normal\" stages of her life as a woman are exacerbated. As a child, she tries to find explanations and simplifies everything that happens around her. At puberty, she is forced to wear a veil and cannot walk down the street with a boy unless he is her husband, her guardian or her brother: men become an intriguing mystery, and her body a strange envelope (I laughed a lot when she describes how her body deforms as she grows, how she becomes \"hideous\" and doubles in size in a few months). As a teenager, she is downright rebellious. Like everyone else, she drinks and smokes pot, but she is also internally tortured because she goes against her culture: she feels like she is betraying her family, her religion, what she is. As an adult, she gets married (obviously), too quickly (obviously). After a month, she and her husband are in separate rooms. And in the end, she leaves alone for France, like a responsible woman who has seen too much.<\/p>\n

Simplicity does its job. It's beautiful, it's touching, it's funny, it's scary. And it reads so fast and so well... I didn't have to make excuses.<\/p>\n

\n

Persepolis<\/a>\"\"<\/strong><\/p>\n

Marjane Satrapi<\/strong><\/p>\n

L’Association<\/strong><\/p>\n

53,96 $<\/strong><\/p>\n

\n

\"Persepolis\"<\/p>","protected":false},"excerpt":{"rendered":"

Je savais qu’il fallait que je le lise bient\u00f4t. Il n’a m\u00eame pas 10 ans, et c’est d\u00e9j\u00e0 un classique. Les hipsters le lisent, les journalistes le lisent (j’ai m\u00eame vu Judith Lussier dans Les Brutes le feuilleter), les anarchistes du Vieux-Montr\u00e9al le lisent, et ceux qui ne le lisent pas le respectent.\u00a0 Mais bon, je ne suis pas une fan des bandes dessin\u00e9es (oui, honte \u00e0 moi, je vais travailler l\u00e0-dessus), et la couverture simpliste ne me disait rien. Pourquoi, quand ils\u00a0parlent bien de sujets s\u00e9rieux, les auteurs pensent-ils qu’ils n’ont pas besoin de marketing? Peut-\u00eatre parce que dans ce cas-ci,\u00a0on parle plut\u00f4t de “sans pr\u00e9tention”, comme l’ensemble du livre. On assiste \u00e0 la r\u00e9volution Iranienne de 1979 \u00e0 travers les yeux de la petite Marjane. Elle voit \u00e9merger les horreurs, les membres de sa famille ex\u00e9cut\u00e9s, les bombes, la peur et les incoh\u00e9rences du nouveau r\u00e9gime. Jusque l\u00e0, ce sont des horreurs bien document\u00e9es, rien de bien nouveau. Mais ce qui est fascinant, c’est de voir la petite fille grandir avec cet environnement en toile de fond. Toutes les \u00e9tapes “normales” de sa vie de femme sont exacerb\u00e9es. Petite, elle essaie de trouver des explications et simplifie tout ce qui se passe autour d’elle. \u00c0 la pubert\u00e9, elle est oblig\u00e9e de se voiler et ne peut pas se promener dans la rue avec un gar\u00e7on s’il n’est pas son mari, son tuteur ou son fr\u00e8re : les hommes deviennent un myst\u00e8re intrigant, et son corps, une dr\u00f4le d’enveloppe. (J’ai d’ailleurs beaucoup ri quand elle d\u00e9crit comment son corps se d\u00e9forme en grandissant, comment elle devient “hideuse” et qu’elle double de volume en quelques mois.) Adolescente, elle est carr\u00e9ment rebelle. Comme tout le monde, elle boit et fume du pot, mais elle est en plus tortur\u00e9e int\u00e9rieurement parce qu’elle va \u00e0 l’encontre de sa culture : elle a l’impression de trahir sa famille, sa religion, ce qu’elle est. Adulte, elle se marie (\u00e9videmment), trop vite (\u00e9videmment). Au bout d’un mois, elle et son \u00e9poux font chambre \u00e0 part. Et en fin de compte, elle part seule en France, comme une femme responsable qui en a trop vu. La simplicit\u00e9 fait son travail. C’est beau, c’est touchant, c’est dr\u00f4le, \u00e7a fait peur. Et \u00e7a se lit si vite et si bien…\u00a0Je n’avais pas \u00e0 chercher d’excuses. Persepolis Marjane Satrapi L’Association 53,96 $<\/p>","protected":false},"author":1,"featured_media":3496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[242],"tags":[],"class_list":["post-1288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-se-distraire"],"yoast_head":"\nPersepolis : raconter l'horreur, tout simplement - Prochaine lecture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/prochainelecture.com\/en\/persepolis-raconter-lhorreur-tout-simplement\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Persepolis : raconter l'horreur, tout simplement - Prochaine lecture\" \/>\n<meta property=\"og:description\" content=\"Je savais qu’il fallait que je le lise bient\u00f4t. Il n’a m\u00eame pas 10 ans, et c’est d\u00e9j\u00e0 un classique. Les hipsters le lisent, les journalistes le lisent (j’ai m\u00eame vu Judith Lussier dans Les Brutes le feuilleter), les anarchistes du Vieux-Montr\u00e9al le lisent, et ceux qui ne le lisent pas le respectent.\u00a0 Mais bon, je ne suis pas une fan des bandes dessin\u00e9es (oui, honte \u00e0 moi, je vais travailler l\u00e0-dessus), et la couverture simpliste ne me disait rien. Pourquoi, quand ils\u00a0parlent bien de sujets s\u00e9rieux, les auteurs pensent-ils qu’ils n’ont pas besoin de marketing? Peut-\u00eatre parce que dans ce cas-ci,\u00a0on parle plut\u00f4t de “sans pr\u00e9tention”, comme l’ensemble du livre. On assiste \u00e0 la r\u00e9volution Iranienne de 1979 \u00e0 travers les yeux de la petite Marjane. Elle voit \u00e9merger les horreurs, les membres de sa famille ex\u00e9cut\u00e9s, les bombes, la peur et les incoh\u00e9rences du nouveau r\u00e9gime. Jusque l\u00e0, ce sont des horreurs bien document\u00e9es, rien de bien nouveau. Mais ce qui est fascinant, c’est de voir la petite fille grandir avec cet environnement en toile de fond. Toutes les \u00e9tapes “normales” de sa vie de femme sont exacerb\u00e9es. Petite, elle essaie de trouver des explications et simplifie tout ce qui se passe autour d’elle. \u00c0 la pubert\u00e9, elle est oblig\u00e9e de se voiler et ne peut pas se promener dans la rue avec un gar\u00e7on s’il n’est pas son mari, son tuteur ou son fr\u00e8re : les hommes deviennent un myst\u00e8re intrigant, et son corps, une dr\u00f4le d’enveloppe. (J’ai d’ailleurs beaucoup ri quand elle d\u00e9crit comment son corps se d\u00e9forme en grandissant, comment elle devient “hideuse” et qu’elle double de volume en quelques mois.) Adolescente, elle est carr\u00e9ment rebelle. Comme tout le monde, elle boit et fume du pot, mais elle est en plus tortur\u00e9e int\u00e9rieurement parce qu’elle va \u00e0 l’encontre de sa culture : elle a l’impression de trahir sa famille, sa religion, ce qu’elle est. Adulte, elle se marie (\u00e9videmment), trop vite (\u00e9videmment). Au bout d’un mois, elle et son \u00e9poux font chambre \u00e0 part. Et en fin de compte, elle part seule en France, comme une femme responsable qui en a trop vu. La simplicit\u00e9 fait son travail. C’est beau, c’est touchant, c’est dr\u00f4le, \u00e7a fait peur. Et \u00e7a se lit si vite et si bien…\u00a0Je n’avais pas \u00e0 chercher d’excuses. 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